Playing Guitar - Do You Need Natural Talent?

Playing Guitar - Do You Need Natural Talent?
By Jamie Andreas

The guitar is such an emotional instrument that I think it attracts people of a highly sensitive nature. Because of this, I think we can fall prey to a few psychological conditions that make our progress as musicians much more difficult than it needs to be. One of these conditions is the chronic mood of doubt, which manifests itself as the question of "Do I have any natural talent for this? Can I learn to play guitar or am I kidding myself here?"

Over my forty years of teaching guitar I have learned a few things about this subject of "Natural Talent", and I think they would be useful things to share with the aspiring guitar players out there.

You Too Can Be A Superhero!

My first insight was when I observed how I reacted to my first experience in taking guitar lessons. I was practicing five or six hours a day. As a result of this, as well as having a degree of "natural talent", I got pretty good pretty fast. My guitar teacher was amazed, and would show me off to everybody as his "star pupil". He would always say, "Tell them how much you practice, Jamie". Now the funny thing is, I would lie about it, and tell them "Oh, maybe two hours a day". I did not want anyone to know how much I was working at it. I would rather them think I was some kind of genius who was divinely inspired!

Now, I forgive myself for this character flaw because I understand why I felt this way. This was the first time in my life I ever stood out at anything. People paid so much attention to me and it made me feel special. It was a good gig, and I did not want to blow it. Besides, my fondest desire as a child was to be a Superhero like in the comic books, and this was the closest I had come so far to fulfilling that career choice!

Learning What Being Special Really Means

When I started teaching, I got the opportunity to see large numbers of people attempting to learn to play the guitar, and I started to investigate this idea of natural talent. Was there such a thing? What were the reasons some people got really good, and others did not?

I noticed an interesting thing. A very good percentage of the students I was teaching seemed to have at least as much talent as I did. But very few had the burning desire that I had and few were practicing the number of hours I did. I noticed that there is a whole lot of natural talent going around, but that there is not a whole lot of love, dedication, and hard work.

I started to see how immature and downright incorrect my old way of thinking was when I was trying to be a Superhero. I began to realize how beautiful a thing it was that someone would love and need to play the guitar and would give so much of themselves to it. I am always moved when I see so many of my guitar students, some school teachers, landscapers, office workers, and mothers and fathers who make such a commitment to keep up their efforts to learn the guitar in the midst of an otherwise very full and demanding life. Maybe they only get to practice twenty minutes a day, but it is important to them, so they make the necessary sacrifices. I saw that love, dedication, and hard work were the really "special" things.

Okay, So What Is "Natural Talent"?

Natural Talent is a predisposition in the mind and the body to do the right thing. When a person who has natural talent for singing hears someone sing, their body and mind "know" what that person is doing to get that sound. And their body/mind knows how to do it too, or how to begin moving in that direction. (They do not have to know this consciously; they just "know"). Some students come in for guitar lessons, and they tend to do everything right, from sitting comfortably with the instrument to positioning and using the fingers. Others do everything wrong, and must be shown every detail on what to do.

Understand that most students fall somewhere in between the two extremes, of total clueless-ness and being a genius. They have some talent, but, if they do not have the strong desire and work really hard, it will get them nowhere.

Summing Up

With the right approach, anyone can learn anything. In fact, the more you really try, the more "Natural Talent" you will discover in yourself. It is like having a little voice in your head guiding you in the right direction if you will listen. You will find the more you listen, the louder that voice gets, and you will hear it more often.

Having "talent" is not the primary factor in whether or not you will become a good or great player. Your burning desire and desperate need to play, coupled with the correct understanding and approach are the most important things you must have.

There are lots of people with talent, but not a lot who allow their desire to grow and become powerful. If you can allow yourself to feel this need and desire, and use the power of that to overcome all the obstacles you might encounter along the way, you will find all the talent you need to be the guitar player you are meant to be.

Note: Extensive information on Jamie’s guitar methods can be found at her website, (CLICK HERE)

Copyright 1999-2010 Jamie Andreas for Guitarprinciples.com. All rights reserved.

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Playing Guitar - Do You Need Natural Talent?

The 5 Biggest Mistakes Guitar Students Make

By Jamie Andreas

1 - Practicing Too Fast

Virtually all guitar students practice everything at a speed that makes it impossible for their muscles to work in a relaxed fashion. Unknown to students, their muscles are in a state of chronic tension during the whole time they are practicing.

This tension stays in the muscles due to the power of "muscle memory". Because of this, the student will be placing a severe limit on their guitar abilities. Everything will feel difficult because the hands, arms, and body have a level of tension during movements that simply does not allow for smooth action.

The real secret is a super slow type of practicing that I call "No Tempo Practice". It has the power to unlock the professional level ability in any player.

2 - Not Paying Attention to the Body During Practice

We play the guitar with the body. That is the central fact that cannot be ignored. Students who have "natural talent" tend to pay more attention to what their body feels like when they practice and play. The majority of students are busy thinking and worrying during practice, and have no idea what the muscles they are trying to use really feel like. So, they allow crippling tension to be present during all the movements. Advanced players never allow this, and they are always on the lookout for body tension.

We must pay absolute attention to the whole body during practice, especially the shoulders, arms and hands. Shoulder tension is the biggest cause of finger problems. However, playing the guitar does require effort. One of the keys to making progress is learning the difference between necessary effort and unnecessary effort.

3 - Lack of Knowledge of How the Body Learns

There is an entire science of how the body learns new movements. It is called "motor control learning", or just "body learning." It is important to understand that there are definite laws of how the body learns new movements. When we follow these laws during practice, we will be successful; it is as simple as that!

The reason people struggle with guitar is because they have never been taught these laws, or principles of body learning. Anyone can learn them, use them, and be successful with guitar.

4 - Beginning at the "First" Fret

All guitar methods begin by teaching students to play at the "first" fret. This is wrong because the first fret is the hardest place to play. It causes great tension (even strain) in the arms and hands of a beginner. Also, the frets are furthest apart at the first fret, forcing the untrained fingers to strain in order to stretch into difficult chords and notes.

All of this immediately points the student in the wrong direction, away from developing true guitar ability. Because of the extra burden placed on the fingers, hands, arms, and shoulders, the majority of people who try to learn guitar fail.

The first place a student should learn to play in order to develop perfect and relaxed control of the fingers is higher up on the neck, where a beginner can learn to move the fingers in a relaxed way and without strain. Gradually, the student can move down the neck fret by fret, learning to be relaxed at each fret.

5 - Fighting the Energy of the String Instead of Using It

Once all these bad things have happened (and they happen to some degree in virtually all students) the student will actually be learning to "fight the guitar", not "play the guitar."

With every note that is played, the body will tense more and more, and that tension will be locked into the muscles, and be considered "normal" by the student. Some students with a lot of stamina will learn to play up to a point, but they will not play anywhere near as well as they could if all these bad things were prevented from happening.

Great players, who have learned to relax while playing, are actually using the energy of the strings as they play in the same way that a great diver uses the energy of the diving board to gain spring and power, or as basketball players use the energy of the basketball to control how they dribble the ball.

In all these cases (the guitar, diving, and basketball) force is being applied to a flexible medium. An expert in all these fields knows how to make their body "one" with the object they are applying force to. Then, they combine their own energy with the object in order to achieve their goal.

The unskilled player of any sport or any instrument is not becoming one with the object they are using; instead, they are fighting it. An unskilled guitar player is actually fighting the strings instead of using the string's energy.

This is why great players make it look easy, because it IS easy when you are using the energy of the string itself to help make the necessary movements. Other players look like they are having a hard time because they ARE having a hard time. They must learn why and how they have made it so hard. When they do, they can begin to undo all their playing problems and start to enjoy the wonderful feeling of playing the guitar easily. Anyone can do this. Anyone can become as good as they wish to be on the guitar!

Note:
Extensive information on Jamie’s guitar methods can be found at her website:(click here)

Copyright 1999-2010 Jamie Andreas for Guitarprinciples.com. All rights reserved.

The 5 Biggest Mistakes Guitar Students Make